Welcome to the UK version of The BookShop

~ an associate of amazon.co.uk ~

 

For the moment, this is just a small list of my favourite books.

This is by no means an exhaustive list nor is definitive - it is merely some of my favourites which have popped up in my head while I am writing this. I have purposely not made it canonical - these aren't books that you must read, but books that you may very much enjoy. My list of poets, on the other hand, has canonical tendencies but that is because in my mind, very few people have written truly memorable peoms

I have included links to amazon.co.uk where I can in case you're interested in something but are unable to find a copy or are too busy to do so.

For those of you out there who don't really do the internet shopping thing, these links are still helpful. They are often to my recommended version (where it's available) which I can be fussy about, and the author link leads you to a list of his/her works published and available - this is also useful if you don't agree with my version choice, or you want to check out if there is something cheaper (there usually are but unfortanately most cheap versions are inferior in terms of editing, paper and production value- excluding Oxford's Worlds Classics range which is very good unless you want the Count of Monte Cristo in which case the print is so small it's illegible).

If the book is unavailable at amazon.co.uk, I will do my best to try and find alternative sources. However, some of these books are out of print and therefore the best I can do is give you the details and you'll have to keep an eye out at your favourite second hand book store!

Sometimes I may actually prefer an American version (pretty rare, it's usually the other way round), in this case I will offer it as an alternative link.

Please feel free to offer your own opinions on the books listed, fill out the form below and I will add a link to it.

 


 

 

  • Michael Ondaatije - In the Skin of the Lion
This is the prequel to the rather more famous The English Patient, however despite the latter's success In the Skin of the Lion is the better book. It is based in Canada, when the country was still young and growing using as fuel the poor and migrants. This has to be close to one of the best I have ever read, indeed, I cannot say that I have enjoyed another more. The writing itself is exquisite, Ondaatje writes prose as if it were poetry (he is also an accomplished poet) - the beauty in the language itself is reason enough to enjoy the book. But it is the book's overwhelming sense of humanity that is for me makes this book what it is. This book is about people, their stories, their tragedies and their ability to love. The book envelops you in its slightly dreamy, warm human haze while you read it and long after you've finished. I once broke up with someone because he refused to read it (it's actually a long story).
 

 

  • James Joyce - Ulysses
"One of the great books of modern literature." Many people tend to toss this away because of the belief that it is overly intellectual. It can be, it can last an entire lifetime in study, the references are obscure and dense. However, when I read it, my edition (Penguin) had no footnotes so I either got it then or I didn't. Strangely enough, this was a benefit, instead of stopping every few paragraphs I was forced into just reading it. After a while (though the style kept constantly changing) I began not to worry if I didn't understand, I just read - an amazing thing happened, my reading became subliminal in that I was training my conscious mind to relax and just read as if the words were just patterns of sound. Then things started making some sense and the power of the language became evident. Of course, to read it properly you do need an adequate reading guide (I recommend the notes at the back of the World Classics edition or the very good The New Bloomsday Book : A Guide Through Ulysses
by Harry Blamires) but from time to time I would suggest just trying to read it alone (if you want, you can read a summary of the chapter before: it doesn't really affect the book) and OUT ALOUD (believe it makes more sense out it that way). Like In the Skin of the Lion, is the sense of humanity that endears it to me. Once the heiroglyphics are peeled away, one of Joyce's greatest talents is displayed: his irony and that sense of humanity. He is one of the few authors that can pay out their creations brilliantly, yet at the same time treat (those worthy) them with gentleness and understanding.

 

  • Flann O'Brien - At Swim-Two-Birds
One of the funniest books I've ever read from one of Ireland's best writers. It is strange that he is not popularly known outside of his country, and since he is long dead I doubt there will be any resurgence in the near future so all the more reason to give this recommendation! Like Beckett he had connections to Joyce, I think that Joyce was his patron for a short time (seeing his obvious talent), however, when comparisons with Joyce's style surfaced (albeit in praise) on publication of O'Brien's novel, O'Brien distanced himself from both the book and Joyce. Strangely enough he professed to be not so impressed with At Swim-Two-Birds ever after. Ignore him, this is clearly one of if not the best book of his literary career. It is a book within a book within a book, it can be quite surreal as tales intertwine frequently. Those who are at/have been to university will find this particularly amusing seeing the protagonist is a lazy apathetic student who spends most of his time in his bed while being hacked on by his uncle. The humour is very much Irish, underplayed and farcical - if you ever find, read it!
  • Iris Murdoch - A Severed Head
I was going to stop reading this, the first few chapters annoyed the hell out of me. It is about this bunch of wealthy arty blarty narcissists who live in the trendier parts of London in the 60s (when it was written) going through mid-life crises. Fun! I was going to stop but a friend of mine said it was one of his favourite books. Sure, it was a bit ho hum in the beginning but weird things start happening, and the classical allusions start to really fly. Really very interesting little plot.
 
  • Donna Tartt - The Secret History
I turned up for a poetry meeting we'd organised and no one was there except my fellow co-host and some tortured looking first year in a leather jacket, black jeans and boots. I can't remember what he said about whoever it was we were discussing, he mentioned that this was his favourite book as he read it to death when he was living in England (I think that was it). As these things happened, as soon as he'd mentioned it, I saw the thing everywhere and it was even on some bookstore's list of best books. So I had to buy it. It was extremely distracting from the thesis I was supposed to be doing. What was bizarre was it reminded me of a little group in my own faculty. Perhaps if you attended an old university, you'd know what I meant. A small priviledged group who were intelligent yet cruelly childish from too many private school and college (in the States I think they're referred to as Fraternities and Sororities - thank god we haven't yet a system so developpedly complex and base) pranks. Of course, they didn't commit murder like this little erudite mystery. Still, sick and repulsive as they are, there's something compelling about their incestuous elitist little world - as is the world of the classics that this book so heavily draws on. I wouldn't be surprised if the enrolments in that department hadn't suddenly risen on account of this novel's release.

 

 

  • Marguerite Duras - The Lover
The most intense book I have ever read. At the time I thought I was going through a similar relationship to one in another of her books, Black Hair Blue Eyes. It doesn't take very long to read and its best in just one sitting. In a rare occassion, I've recommended the American version because of the cover. I hate the new English cover, a couple of years ago, I wanted to buy it for a friend and almost screamed when I saw it. The woman is hideous, the old cover was exactly the same only it had the rather more sublime picture on the American cover. I don't know if that is Duras but it certainly looks more like her than the indie scrag on the new one. Of course my friend loved the indie scrag but there's no accounting for taste...
 

 

  • Lawrence Block - The Burglar who Painted like Mondrian
Continuing covers, don't even look at the American versions of this. On one side of the Atlantic we have some of the most inspired but simply beautiful covers I've ever seen and on the other, well, the cat bringing up its dinner comes to mind. You see I would never have read a Burglar story had they been American covers. I was at a second hand book store with a friend from England. I was waiting at the counter because he had bought something and then a noticed a pile of books (all Burglar stories) on the counter. Then my friend said he'd read two, this and The Burglar who Thought he was Bogart (also bloody brilliant) and he was really rather good. I looked at the artwork, great photographs nice fifties schlocky font - and the rest they say is history. I only choose one that day though, this one. He gave me the Bogey one after, then I read a few more. But this and the Bogey ones are the best. It's about a Greenwich village second hand bookstore owner who is also a great burglar who also gets set up a lot and then has to solve the mystery to get out of it. Got it? His best friend is a sardonic lesbian midget who loves cats (no, she's quite cool actually). In fact they are both cool
 

 

  • Lee Tulloch - Fabulous Nobodies
When it came out, it did receive considerable publicity (or maybe just in the fashion rags) but hardly anyone has heard of it now, which is a shame. It's a great little book by one of my favourite fashion magazine (Vogue and Harpers not Seventeen) writers, Lee Tulloch. She is of course from Melbourne (I've yet to find a female Sydney writer I admire and I'm actually from Sydney), home of what I believe are the most stylish women who still manage to remain real. Someone borrowed my copy and hasn't returned it yet so I can't give you character names but it is a bit of a Cinderella story but it's based in New York night clubs and fashion haunts. I orginally didn't read it because I thought it would be pretentious, but thankfully it wasn't. It was fun and feel good and it's cool too. Perhaps you'll see a bit of yourself in the heroine and a little bit of your best friend/worst enemy in her Audrey Hepburn lookalike companion. A bit like Edwina and Patsy in Absolutely Fabulous with out the money, the age and the superficiality. While they might be somebodies, it's actually the Nobodies of the book that are way more Fabulous.
It's presently out of print (I picked up my copy for $1 at a library sale which was good seeing that I was prepared to buy it hardback and new) but you can still order it, it just might take a while. Meanwhile, she has a new book out called Wraith. It doesn't look half as good as Fabulous Nobodies though.
 

 

  • Agatha Christie - Death on the Nile
Ok so I might be a dag, and I imagine, this doesn't do much for my literary credibility but I love Agatha Christie. I've just finished reading At the Flood which is just perfectly brilliant and not as predictable as maybe some others. Be that as it may, my favourite Agatha Christies are those she wrote in the 1920s and 30s. There's a romance in those novels that is lost with the coming of WWII when her novels become decidedly more seedy. Death on the Nile is no exception. the atmosphere is brilliant. I guess I partly like them because they are relics of a lost era, the same nostagia that makes me watch Indiana Jones movies. When I think of the 20s and 30s there are three things that come to mind usually: the scene in the Great Gatsby where the women in white dresses appear to float like angels, Baz Lurhman's Opera Australia production of Benjamin Britten's A Midsummer Night's Dream set in 20s Colonial India, and Agatha Christie novels. But they are also great detective novels.
  • Order Book from Amazon.co.uk... Author info... read review...
 

 

  • Oscar Wilde - The Picture of Dorian Gray
He was a shocking poet but he could write more than just witty repartees and amusing farce, the proof of which is in this book. I remember reading this at fifteen and my world falling apart. It did that day. It's strange to think that Oscar Wilde could profoundly change your outlook on life, but he did. Perhaps at a much more cynical 23 it wouldn't have much effect but then much of my thought was crystallising at fifteen. I think what was so earth shattering was the resulting self-reflection. The story is about a beautiful young man who when he has a painting made of him one day ceases to ages, instead the portrait does. In fact the portrait does more than age but shows up the signs of the concurrent moral degradation as well. The criticism of Dorian Gray I laid upon myself, I questioned my previous assumptions and well started to develop some huge hang ups... no, seriously, it was good as I tried to stop taking my own righteousness for granted and actually examined my motives for things that I did. Not all was pretty, much like the portrait. I once gave it to a boyfriend to read and told him he should see things about himself in the novel. He didn't, I hope you have better success if you read it (or maybe everyone's just perfect....).
 

 

  • James - The Wings of the Dove
His writing is pure sex. I almost hated him although he gave me nice tutorial brownie points on the Spoils of Poynton and the Aspern Papers once, I was made to read over 500 pages of The Ambassadors when I had an eye infection and it consequently gave me the worst mark of my Honours year. However, after I had written the pig awful essay, his brilliance was suddenly revealed to me. It was true as my lecturer said, it's not like other writers where you may have to read the book twice to understand its real meaning, with James you had to read each sentence twice to gather what he's literally saying. That was the beauty, his language was the beauty. It was so dense and complex but it was at the same time so cryptic and so liberating. He says so much by saying very little in very long sentences. It's wonderful! I saw the movie and three paragraphs of the novel capture the main characters just as much as the movie failed to. James' genius is that he says everything through implication. Characters are implied as well as described, they are shaded in a way that a straightforward presentation could not produce. I used to just read a page of Wings of the Dove at the bus stop and I'd get chills down my spine, his appreciation of sexual tension is latent in almost all his sentences, it's bound up in the syntax, the words, the unsaid, the tone... oh my... Of course though it's tragic, I hate tragedies but unfortunately you can't have writing this powerful without tragedy.
 

 

  • Henry Green - Party Going
For some reason this is hard to find, and is only available in some dreadful three book collection. I hate that, anthologies are bearable but I think books should be read separately as they were published originally (alright we can't read Dickens or Dostoyevsky in serial form anymore, but you know what I mean). I'm still waiting until I find all the books of Proust's Rembrance of Things Gone By, I have most (but not the first) of a fairly popular sixties edition..
My copy is a Harvill one and has as its cover a lovely painting by Whisler of the sea and boats - it's actually just washes of green, blue, grey and white paint, but it is wonderful. Terribly soothing, it's good then that the contents do justice to its cover. It's about a party of young fashionable things (20s/30s) who get stuck in a hotel when fog means that there train cannot leave the station. It's abstract written from the viewpoint of each of the different characters without sympathising with any, almost like an impressionist painting. In fact if writers do attempt to write like painters, I think Henry Green is one of the few who has succeeded. The book goes nowhere as do the characters, even the imagery doesn't seem to mean anything solid, it's as if everything is as foggy as the weather. It's brilliant, I read this at a time when I was frustrated with English speaking writers, but this is something else. I think on the blurb and elsewhere he's often described as a writer's writer. That's understandable, but from a reading point of view, if you feel like going to an art gallery don't bother. Stay home and read this, the memory of it will amount to the same thing.
 

 

  • Grahame Greene - The Quiet American
I don't recommend Grahame Greene in general, although I don't not recommend him, it's just that the Quiet American is not your usual Greene book. It is beautiful. It's set in Vietnam before the war but when things are starting to look funny. The atmosphere is beautiful and the story is in part a romance. The narrator is a Brittish journo and he is involved in a love triangle with a young American over a beautiful Vietnamese girl. However, this is Greene, so of course everything is complicated by the fact that no one is truly good, no one's motives can be trusted - yet this doesn't make the characters hateful just more complex. The most fascinating is the young Vietnamese girl, denied a voice due to ignorance of English and small knowledge of French, yet one has to question is she really being exploited or is she the one with the power. Our intrepid journo quotes a poem by Beaudelaire "L'invitation au Voyage" about her. That is reason enough I think to read it.
 

 

  • Natalia Ginsberg - The City and the House
She is one of Italy's foremost female writers so it's strange that her books are very difficult to obtain. The only English translations I can find are second hand. I'm taking up Italian, if only just to read more of her novels. Her writing is pure sex, her characterisation is brilliant and her portrayal of human interaction is brilliant. If you ever see a copy of one of her novels, buy it! If not for yourself, I'll buy it off you. I can't recommend her enough.
  • Order Book from ?... Author info... read review...
 

 

  • Antonio Lobos Antunes - South of Nowhere
Given to me by an ex but still a friend, he'll kill me for recommending this, oh well. It's by a Portuguese writer who was once very sexy when he was young but it not so at all anymore. A little story about despair. I won't recommend it anymore or else someone will get angry at me. Of course like all good books, it's out of print, but at least it's listed so you might get it if you wait long enough.
 

 

  • Mario Vargas Llosa - Aunt Julia and the Scriptwriter
Funny, clever and very well written. It was somewhat based on Mario's real life.
 

 

  • EM Forster - Room with a View
His writing is quite on the other side of James. It is stunningly beautiful, but because it flows like water, paint or whatever you can think of. When I was younger I used to read bits of A Passage to India out aloud not paying attention to the plot but just because I loved how it sounded. Maurice (also partly autobiographical) is wonderful, but it is this, Room with a View, which is my first and favourite Forster novel. Sorry, but it really is one of the most romantic novels I have ever read. Unfortunately, Forster did write an epilogue to it entitled "A Room without a View" which was probably necessary or else young girls would have gone off and followed penniless young men to live in Florence. Ah....
 

 

  • Ford Maddox Ford - The Good Soldier
A bit like James and Henry Green in that things are hazy, misunderstood and people take advantage of other's ignorance. This is a classic of Modernist literature, but it's a good novel nonetheless (actually, I do like Modernism). I don't really want to describe the story, it's a bit of a cliffhanger.

 

  • Margery Williams- The Velveteen Rabbit
The story that made me believe toys were real. I still can't throw a toy away because of this even though I have a lot of broken toys. Every child must read this if they are to experience the wonders of imagination. And adults should rekindle that hope that if you wished hard enough it would happen that they might have possessed as a child. I had a letter published in Neil Gaiman's Sandman because of this book.

 

  • Italo Calvino - If on a Winter's Night, a Traveller. . .
A book about reading for readers. I had stopped reading for years (except English books of course but even there I was as slack as I could be) and it was this that made me love reading again, turned me back into what I always was, a reader. If it was for this book, I wouldn't have done English Honours. Maybe that would have been a good thing... If you've never read Calvino before, you must as he is wonderful.. Small warning, if you don't care much about theory and actually examining reading and translation and the process of creation you won't like it. However, if you enjoy reading not only because of the plot (which this book has plenty of) but because of the language possibilities and stimulus for thought then you should love it.

 

 

 

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