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Gerard Manley Hopkins
1844 - 1889
(Ãåðàðä Ìýíëè Õîïêèíñ)


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Êíèãà-ïî÷òîé


INVERSNAID
Heaven-Haven
The Leaden Echo and the Golden Echo
Pied Beauty
See how Spring opens with disabling cold
Spring

 

ÏÅÐÅÂÅÐÒÛØÈ
ÍÅÁÅÑÍÀß ÃÀÂÀÍÜ
ÑÂÈÍÖÎÂÎÅ ÝÕÎ È ÇÎËÎÒÎÅ ÝÕÎ
Çäîðîâî áûòü äëÿ Áîãà
Õîëîäíà áûëà âåñíà
ÂÅÑÍÀ


ÏÅÐÅÂÅÐÒÛØÈ
Òåìíî-ææåíûé, ðûæèé, êàê êîíñêèé êðóï

INVERSNAID
THIS darksome burn, horseback brown,
His rollrock highroad roaring down,
In coop and in comb the fleece of his foam
Flutes and low to the lake falls home.
 
A windpuff-bonnet of fawn-froth
Turns and twindles over the broth
Of a pool so pitchblack, fell-frowning,
It rounds and rounds Despair to drowning.
 
Degged with dew, dappled with dew,
Are the groins of the braes that the brook treads through,
Wiry heathpacks, flitches of fern,
And the beadbonny ash that sits over the burn.
 
What would the world be, once bereft
Of wet and wildness? Let them be left,
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.

ÍÅÁÅÑÍÀß ÃÀÂÀÍÜ
Õîòåë áû ÿ òóäà

Heaven-Haven

A Nun Takes the Veil

I have desired to go
Where springs not fail,
To fields where flies no sharp and sided hail,
And a few lilies blow.

And I have asked to be
Where no storms come,
Where the green swell is in the havens dumb,
And out of the swing of the sea.


ÑÂÈÍÖÎÂÎÅ ÝÕÎ È ÇÎËÎÒÎÅ ÝÕÎ
Ïåñíÿ äåâóøêè èç êîëîäöà Ñâ.Âèíôðåäà

The Leaden Echo and the Golden Echo
(Maidens’ song from St. Winefred’s Well)

THE LEADEN ECHO

HOW to keep—is there any any, is there none such, nowhere known some, bow or brooch or braid or brace,
lace, latch or catch or key to kee
Back beauty, keep it, beauty, beauty, beauty, ... from vanishing away?
O is there no frowning of these wrinkles, ranked wrinkles deep,
Down? no waving off of these most mournful messengers, still messengers, sad and stealing messengers of grey?
No there ’s none, there ’s none, O no there ’s none,
Nor can you long be, what you now are, called fair,
Do what you may do, what, do what you may,
And wisdom is early to despair:
Be beginning; since, no, nothing can be done
To keep at bay
Age and age’s evils, hoar hair,
Ruck and wrinkle, drooping, dying, death’s worst, winding sheets, tombs and worms and tumbling to decay;
So be beginning, be beginning to despair.
O there ’s none; no no no there ’s none:
Be beginning to despair, to despair,
Despair, despair, despair, despair.

THE GOLDEN ECHO

Spare!
There is one, yes I have one (Hush there!);
Only not within seeing of the sun,
Not within the singeing of the strong sun,
Tall sun’s tingeing, or treacherous the tainting of the earth’s air,
Somewhere elsewhere there is ah well where! one,
One. Yes I can tell such a key, I do know such a place,
Where whatever’s prized and passes of us, everything that ’s fresh and fast flying of us,
seems to us sweet of us and swiftly away with, done away with, undone,
Undone, done with, soon done with, and yet dearly and dangerously sweet
Of us, the wimpled-water-dimpled, not-by-morning-matched face,
Never fleets more, fastened with the tenderest truth
To its own best being and its loveliness of youth: it is an everlastingness of, O it is an all youth!
Come then, your ways and airs and looks, locks, maiden gear, gallantry and gaiety and grace,
And with sighs soaring, soaring sighs deliver
Them; beauty-in-the-ghost, deliver it, early now, long before death
Give beauty back, beauty, beauty, beauty, back to God, beauty’s self and beauty’s giver.
See; not a hair is, not an eyelash, not the least lash lost; every hair
Is, hair of the head, numbered.
Nay, what we had lighthanded left in surly the mere mould
Will have waked and have waxed and have walked with the wind what while we slept,
This side, that side hurling a heavyheaded hundredfold
What while we, while we slumbered.
O then, weary then why
When the thing we freely forfeit is kept with fonder a care,
Fonder a care kept than we could have kept it, kept
Far with fonder a care (and we, we should have lost it) finer, fonder
A care kept.—Where kept? Do but tell us where kept, where.—
Yonder.—What high as that! We follow, now we follow.—Yonder, yes yonder, yonder,
Yonder.


 Çäîðîâî áûòü äëÿ Áîãà

Pied Beauty
GLORY be to God for dappled things,
For skies of couple-color as a brinded cow,
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls, finches' wings;
Landscape plotted and pieced, fold, fallow and plough,
And all trades, their gear and tackle and trim.
All things counter, original, spare, strange,
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim.
He fathers-forth whose beauty is past change;
Praise him.

Õîëîäíà áûëà âåñíà

See how Spring opens with disabling cold
And hunting winds and the long lying snow
Is it a wonder if the buds are slow?
Or where is strength to make the leaf unfold?
Chilling remembrance of my days of old
Afflicts no less, what yet I hope may blow,
That seed which the good sower once did sow,
So loading with obstruction that threshold
Which should ere now have led my feet to the field.
It is the waste done in unreticent youth
Which makes so small the promise of that yield
That I may win with late-learnt skill uncouth
From furrows of the poor and stinting weald.
Therefore how bitter, and learnt how late the truth!


ÂÅÑÍÀ
Íè÷òî òàê íå ïðåêðàñíî, êàê âåñíà.

Spring

NOTHING is so beautiful as spring --
When weeds, in wheels, shoot long and lovely and lush;
Thrush's eggs look little low heavens, and thrush
Through the echoing timber does so rinse and wring
The ear, it strikes like lightnings to hear him sing;
The glassy peartree leaves and blooms, they brush
The descending blue; that blue is all in a rush
With richness; the racing lambs too have fair their fling.
 
What is all this juice and all this joy?
A strain of the earth's sweet being in the beginning
In Eden garden. -- Have, get, before it cloy,
Before it cloud, Christ, lord, and sour with sinning,
Innocent mind and Mayday in girl and boy,
Most, O maid's child, thy choice and worthy the winning.

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