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The Monthly Rickmanista"Vere, Dementer, Graviter"
The Insufferably Literary October IssueWell, incredible as it sounds, it’s been a year since The Opening Night Issue! Rickman fans from all over the world hope to have the opportunity to see him on stage again soon, but as far as I’ve heard there are no plans for the near future. I for one, would not mind to see him in New York, or at McCarter in Princeton . . .
Four of us went to see Fool For Love at McCarter. There was a group from Philadelphia that cancelled at the very last moment (I had to return their checks) due to a family matter, and we missed them. The play was rather interesting and was followed by an even more interesting discussion, and we had a lovely dinner outdoors after.
This Month’s ContentsThis month's book Another Rickman fan . . . This Month's Letter To The Editor This Month’s Link Thank you to Nancy E., Georgiana, and Morag
The Insufferably Literary Quiz![]() Photo courtesy of Nancy E., by way of Georgianna, with my thanks! The benefits of a a Classical education!, as said by Hans in Die Hard
I’ve been reading a translation of the excellent 18th Century novel, Les Liaisons Dangereuses, on which the play LLD was based, and have been inspired to do a quiz. Medical Warning: Suzanne’s audio clips are guaranteed to drive you to distraction. And now, without further delay, here's the quiz
This Month’s BookThis is a new feature on The Monthly Rickmanista. Some of the books are related to Mr. Rickman’s work, some are not, but please note I will not feature books that deal with Mr. Rickman’s life outside of his acting/directing work. The first book is
Les Liaisons Dangereusesby Pierre Ambroise Francois Choderlos de Laclos (1741-1803) translated by Douglas Parmee Oxford Univ. Press, annotated, 402 pp. 1995 ISBN 0-19-283867-9 Since we, in our times, are bombarded with sexual imagery and hear constantly about the goings-on of politicians, celebrities and non-celebrities, initially I thought there was "nothing new under the sun" this book could be dealing with that we haven’t possibly tired of hearing in the media. Luckily, I was wrong. The book, which I must clarify is sexually candid but not sexually explicit, deals with the process and the consequences of the actions of two characters whose intent is not to seduce (even when they work intensely at their seduction techniques) but to corrupt: Valmont and the Marquise – both of which are promiscuous and carefully keep track of the "body count" -- are not out to seduce and have a good time, they are out to control the soul of their prey. In the process, the two of them are mutually engaged not simply in a battle of the sexes, they are in an all-out war – and actually declare it near the book’s conclusion. Valmont’s tragedy is that he falls in love, possibly for the first time in his life, with the one woman he could seduce but never corrupt; a woman who is destroyed by the first passion she experiences. All the characters are well developed, and the use of letters for the narration works effectively by giving each character its own voice. The novel can be examined on various levels: as a morality tale, as a story of sexual politics, as a love story. The action develops from August to December, which adds meaning to the events: what first appears to be a Summer romance becomes an entanglement that concludes in Winter. At first it takes a while to get into the text, but it’s worth the effort. This is a most rewarding novel, and it offers the reader the opportunity to enjoy some of the most seductive prose ever written. The French text (if you are up to it) is even more lovely, but Mr. Parmee's translation was very pleasing, more so than an older translation I started reading but did not enjoy as much.
Another Rickman Fan . . .. . . reveals her admiration?Article courtesy of Morag
This Month’s Letter To The Editor
Dear Fausta
Dear Fan,
This Month’s LinkMovie Cat’s Film Forum
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