Antiseen,"Badwill Ambassadors" (TKO Records) Antiseen will kick your ass, plain and simple. If Lemme had been born in a trailer park somewhere in North Carolina it would sound just like this. These self-proclaimed Badwill Ambassadors take their brand of 21st century Destructo-Rock to new heights with this latest TKO release. It’s pretty obvious that they mean business when they kick things off with a song like “Alpha Male”. This is bone crushing rock n’ roll, a taste of heavy metal without the dungeons and dragons shit, hardcore punk without all the whining. The closest band I can think of to compare them to is Nashville Pussy and if you know who Nashville Pussy is then you probably already know about Antiseen. A warm beer and a listen to Badwill Ambassadors will cure any shitty workday you may have had. If it doesn’t you’ll at least come up with a way to get revenge on your boss. To go to the TKO Records web site click here
Review by Review by J.R. Oliver
William Hung,"Hung for the Holidays" (KOCH Records) Ain’t America great? William Hung has taken his 15-minutes of fame from his appearances on "American Idol" and turned himself into a sort of "media sensation"! While Clay Aiken and Reuben Studdard have released forgettable (albeit lucrative) CD's, William Hung has released a Christmas CD which captures his own unique style. The 6 Christmas classics that he interprets are: "Deck the Halls", "O' Come All Ye Faithful", "Silver Bells", "Little Drummer Boy", "Rudolph The Red Nosed Reindeer", "Winter Wonderland". The humor of "Rudoph" is infections and this has to be my favorite track on the CD. Hung's version of "Rudolph" is ironic in that an underdog sings about the best-known holiday underdog. The Say what you will about his singing ability, you can't deny that this CD has a certain charm. Sure, it is cheesy, but I'm tired of artists that put out boring, cookie-cutter versions of Christmas classics. So forget about that "American Idol: The Great Holiday Classics" CD and get William Hung's CD. Just like the Christmas holidays it is sometimes crass, commercial and cheesy - but eventually fun. Special mention must be made of the "hidden" track, Hung's version of Queen's "We Are the Champions". It is a must hear! With Queen touring in 2005, maybe William Hung can make a special appearance with them on stage. Now that would be something! To go to this artist's web site click here
Review by Scott H. Platt
Queen Esther,"Talkin' Fishbowl Blues" (El Recordings) This album has some of the catchiest songs on one record that I've heard in a long, long time. Queen Esther combines the grittiness of Rolling Stones take on blues/rock, silky-smooth black-gospel harmonies with pop-sensibilities that makes you sit up and take notice. I find myself humming these songs during the day (especially "Shine") and to me, that is the sign of a great record! Some have dubbed her style "Black Americana" and that about sums up what Queen Esther delivers. The acapella "Help Me" is simply stunning, almost giving you chills. Finally, the CD ends with a cover of "Stand By Your Man"-yep, the Tammy Wynette song! Queen Esther transforms this country classic into her own bluesy interpretation that works really well. Keep an eye on this artist! To go to this artist's web site click here
Review by Ronnie
The Gizmos,"Rock N’ Roll Don’t Come From New York" (Gulcher) Here’s a case of something old sounding new. These tracks are from 1979-1981 but they sound and feel as fresh to these ears as the whole punk music scene did in 1977. I’m not sure how I missed The Gizmos the first time around but I’m glad I didn’t miss the reissue. Thanks to Gulcher Records for having the insight to put this thing together. Twenty-five tracks that cover the punk spectrum of that era. A little Clash, a little Ramones, a little Sex Pistols, a little New York Dolls and a whole lot of tongue in cheek fun to be had by all. For example, song titles like, “Melinda Is A Lesbian”, “Bible Belt Baby”, “Hot Burritto #2” and “Biscuits & Gravy” are just a few you’ll find on Rock N’ Roll Don’t Come From New York. To go to this artist's web site click here
Review by Review by J.R. Oliver
Lisa Mychols,"In the City EP" (Wizard in Vinyl) Wait? Didn't Lisa just put out an album? Well, the hardest working woman in power-pop is already back. The six songs within this EP just reinforce Mychols unofficial title of "power-pop princess" and shows that she seems to have an endless supply of quality material to deliver. Most bands put sub-par music on EP's, but all the songs here are top-notch. In addition to the psychedelic songs ("In The City" and "Times Two"), you get straight forward power-pop ("Lyin" and "Ingenue"-written by Wondermint Darian Sanahaja ) and an acoustic live track ("Choke Up") which shows off Lisa's phenomenal voice. Like the old saying, "dynamite comes in small packages", Lisa Mychols delivers another stellar performance in this 6-track EP. To go to this artist's web site click here
Review by Ronnie
Steven Mark,"Distraction" (Indie Release) This CD contains power-pop with a psychedelic slant that reminds me of a psychedelic Supergrass (especially on the faster songs). The heavily echoed overdubbed harmony vocals by Steven work great with the melodies. Lyrics that range from introspective ("Where You Are"), sarcastic takes on the supersize fast-food lingo ("Ubersize That"), clueless rich kids ("Pass Around the Bowl"), dead rock stars ("Messiah Complex") and of course my college-days favorite cold remedy ("Beer and Nyquil"). A superb effort which excels in lyrical content, melodic construction and distinct instrumentation. To go to this artist's web site click here
Review by Scott H. Platt
Greg McLeod,"Guns Into Guitars" (Loco Records) This CD is totally unoriginal, unless you like Night Ranger-power-ballad wannabees. Not to mention the bad mix which push Greg's annoying vocals up front in your face. Sorry guy, but you just can't sing. Maybe he should try another career move, perhaps a roadie or guitar tech for the next REM/Springstin polical loser tour. One rating point taken off for pounding the listener with constant, assinine, and boring political lyrics. To go to this artist's web site at CDbaby click here
Review by Scott H. Platt
Lonehawk,"The Peniculus EP" (Indie Release) While this is only a 5-song EP, this hot little piece of digitized plastic rocks! In a blender, please combine The Knack, Wheezer, a Ringo Starr drumbeat, Rolling Stones's swagger and Utopia keyboards along with a high dose of crystallized power-pop and you get Lonehawk. Catchy power-pop songs that are guaranteed to have your feet tappin' with an infectious energy that few bands seem to have these days. I wonder if these guys rock as hard live as they do on CD? To go to this artist's web site click here
Review by Ronnie
Doobie Brothers,"Live at Wolf Trap" (Sanctuary Records Group) I was always a fan of the Doobie Brothers, whether it be their classic '70s period or the Michael McDonald years. LIVE AT WOLF TRAP presents a 2004 live group performance on both CD and DVD. The 2004 Doobies concentrate on their pre-Michael McDonald years, with such classics as: "Rockin' Down the Highway," "Jesus Is Just Alright," "Takin' It to the Streets," "Black Water," "Long Train Runnin'," "China Grove" and "Listen to the Music." While I still prefer the classic versions of these songs, it is great to see an old band that can still cut it live. However, this CD will have appeal only to the diehard Doobie fans. To go to this artist's web site click here
Review by Ronnie
Danny Pruitt,"Codeine Dreams" (Rusty Canoe Records) First off, this is not the same artist as "Daniel Pruitt", who we reviewed a few issues back. This DANNY Pruitt is a singer/songwriter in the alt-country vein. While his voice is sometimes ragged, it is never distracting; in fact it gives the dreamy-like music a distinct flavor. I love the match of beautiful guitar playing with sometimes-vague lyrics. In fact, I like lyrics, which leave the interpretation up to the listener. Please give us more Mr. Pruitt, you are on to something! To go to this artist's web site click here
Review by Scott H. Platt
Blake Shelton,"Blake Shelton's Barn & Grill" (Warner Bros.) A concept country album? Well, I saw on TV where Blake Shelton wanted this CD to represent songs that you could hear in any bar on the jukebox. I remember that the Turtles '60s classic "The Turtles Present the Battle of the Bands" seemed to have a similar concept, but with different styles of a fictional 'battle of the bands'. With his original concept, Shelton features classic country, modern country, sad ballads, two-stepping story songs and even a song that you can picture Gram Parsons singing ("What's On My Mind"). But, the standout track is "Some Beach", the funniest song I've heard this year! With a Jimmy Buffet-like melody, it combines themes that we can all identify with: road rage on the road, rude drivers and visiting a dentist office, all the while wishing you were somewhere else. The lyrics represent the best word-play that I've seen and the song still makes me laugh (substituting "son of a bitch" with "some beach"). The CD is worth the price for this song alone! To go to this artist's web site click here
Review by Ronnie
Chris Warren,"Beautiful Ruins" (UM) Chris Warren is hard to fully describe. He sometimes sounds like Paul Simon and sometimes sounds like the jazz/rock fusion of Edie Brickell. But what sets Chris Warren apart from others who attempt this style is that he has brilliant lyrics, which he seems to effortlessly and perfectly fuse with sometimes intricate and sometimes simply melodies [the song "Yaffa" is simply beautiful]. There are so many artists that have only one or the other: great lyrics or memorable melodies - Chris has both! After repeated listens I went to his website to download the lyrics (they aren't in the CD) and developed a new appreciation for the songs. "Thanks…and Sorry" asks the question, "is man really more superior than animals?" My favorite song on the CD is the catchy, "Outside Time", which has "hit" written all over it! It also has the brilliant lyrics, "I used to be the kind of man that would laugh at a man like me." It's good to see that great lyrics can still be written. To go to this artist's web site click here
Review by Scott H. Platt
Me And My Monkey,"Me And My Monkey" [cd single] (Mousemen) I’m at a complete loss with this one. I mean, the music isn’t that hard to describe but as far as the band goes I know nothing. The website is in another language, Italian or French I think and the cd booklet has the lyrics and band members names but little more information. I wasn’t sure they were singing completely in English until I started following along with the lyric sheet and realized their accent was what was throwing me off. Hey, I’m not knocking them, I couldn’t even imagine attempting to record in a foreign language. This is catchy pop that reminds me a lot of the Police or at least Sting. There’s only three songs here, “Rainy Days”, “Ordinary Chaos” and “Extatic Pathways”. To go to this artist's web site click here
Review by Review by J.R. Oliver
The Sharpshooters,"Demo EP" (Indie Release) A mod influenced band that has been together since 1998, this 6 track EP shows that the band is expanding upon their original “mod” influence and carving out their own niche in the music world. Cool keyboards, drums that sound like Keith Moon on Oxycontin and the slash and burn guitar riffs of lead guitarist Ben Reese makes this record come together like an ill-planned nuclear reaction. “Dichotomy” starts with some Fugazi like guitar figures but then blasts off with some inspired keyboard bits backing up this rollicking tune. “Delete” keeps up the pace with vocalist Dave Smalley giving Elvis Costello a run for his alleged lyrical cleverness while bassist Keith Davies offers up some whiskey-soaked back-up vocals to make the song complete. “SMTC” features some sweet rolling bass lines that Bruce Foxton would kill for, with keyboards that tend to give the whole track a Dammed flavor-just with more melody involved. So if you dig early Who, The Jam, and The Kinks-updated for today with a dash of punk swagger-this is the band for you. Tight musicianship, well-crafted arrangements and superior songwriting makes this EP a must-have. Stay tuned to their website as to when this gem will be available to the masses and look for The Sharphooters to fire up on all cylinders and blast through your town in the very near future. To go to this artist's web site click here
Review by Review by Sean Koepenick
The Hurt,"Perils" (Indie Release) This four piece from Raleigh, NC shows remarkable maturity on this 7 song record-I’d have to guess this is not their first foray into music. Led by the Bridgers brothers and featuring Leon Monroe on rhythm guitar and Phil Mauck on drums- The Hurt is a band you will know of once this record gets around. Moody, atmospheric guitar guides most of these tracks, with lyrics that will stop and make you ponder life’s complexities. “Why Not” recalls such “Johnny-come-lately” bands as The Stills and Interpol, but The Hurt manages to instill a little more guts into the proceedings. “It’s the little things in life that take me back down” sings guitarist Kelly Bridgers as the guitar riffs chime in the background. “Television” starts off with some cool guitar leads that sound like “Metropolis” era Church-which is pretty cool to throw into the mix. Perils continues it’s built up momentum on “Shine” with drums that recall Stephen Morris at it’s best and an insistent guitar pattern that is reminiscent of early Cure. By the time you get to the epic closer of “Turning Into Mountains” with haunting lyrics like-“when they carried you out/out the door/broken glass through the floor/ shakes and rattles the door” you feel like you’ve climbed a mountain in your head when it’s all over. But go reach out for Perils-your head probably needs the exercise. To go to this artist's web site click here
Review by Review by Sean Koepenick
Maggie Kim,"Lesson 1.5" (Indie Release) Maggie Kim is a one-girl version of the Spice Girls, but without the obvious "manufactured" aura of that group. And I don't mean that as an insult - hell, I secretly liked the Spice Girls. Maggie wrote 5 of the 6 songs on this disc and she has a firm grasp of catchy, often seductive songs and I can't wait to hear what she can do with a full-length CD. The last track is a version of Prince's "Raspberry Beret" which is even more sensuous than Prince ever envisioned the song! Maggie Kim is what Britney Spears would sound like if she made a real attempt at a serious album. To go to this artist's web site click here
Review by Scott H. Platt
Symphony In DeMeanor,"Symphony In DeMeanor" (Indie Release) Symphony in Demeanor gives psychedelic rock with lots of Jeff Lynne-type production and a smidgen of Pink Floyd "Dark Side of the Moon" influence. Picture Jeff Lynne's work on the Beatles (or rather 'Threetles') 1995 "reunion" tracks ("Free as a Bird" and "Real Love"). There are 5 original songs, along with a great cover of "White Rabbit", complete with backwards guitar. In fact, the cover of this Jefferson Airplane classic is my favorite thing on this disc, great arrangement! The originals are not wholly original, but if you like psychedelic rock you will really dig this CD. Symphony in Demeanor reminds me of an updated Klaatu and that's not a bad thing! To go to this artist's web site click here
Review by Scott H. Platt
Cardinal Trait,"You Already Know" (Emanon Records) This sounds a bit like Hootie & The Blowfish too me. Classic rock hooks and acoustic folk-rock flavor with plenty of pop sensibilities tying it all together. There’s also plenty of tasty guitar riffs spread throughout “You Already Know” that make this quite an enjoyable listening experience. To go to this artist's web site click here
Review by Review by J.R. Oliver
Scott Farr,"Jazz Farm" (Banana Bread Records) The title, JAZZ FARM made me think of Spinal Tap's "Sex Farm" and really made me giggle. Then there is the hilarious CD cover with a Hindu-like Scott Farr in the middle of a field, that really didn't prepare me for the sounds within - Captain Beefheart meets Jeff Beck in a jazz/rock fusion! With most of the songs being instrumentals, this CD is basically an excuse to show off Scott's red hot guitar licks - and in this case, it ain't a bad thing. Bonus points for originality and a breath of fresh air. To go to the Banana Bread Records web site click here
Review by Scott H. Platt
Five Wise,"Out of Line" (Artist Entertainment Group) I thought the days of the double live album (or in this case CD) were long gone. Five Wise basically re-write the songs of Eve 6 over and over ad nauseum. Nuff said. To go to this artist's web site click here
Review by Scott H. Platt
American Death,"Transmission Impossible" (Crustacean Records) These guys are great. I loved 2001’s “Hem And Haw” and their follow-up, “Transmission Impossible” doesn’t disappoint either. Eleven new tracks from this energetic mid-west alt-country / punk / rock trio. Before you get the wrong impression, their a lot closer to the punk / rock side of things than the alt-country side. This thing rocks. I guess my favorite tracks are “Go Away”, the hyper “My Mamma Told Me Not To Fall In Love With You”, “Transmission Impossible” and “Lazy”. I just hope it’s not another three or four years before they release another one. To go to this artist's web site click here
Review by Review by J.R. Oliver
Electro-Requiem,"Self Titled" (Floricore Records) Remember when you used to play Rapeman and Arsenal’s records over and over again? No-well I do. I think Sam Williams III does too-and we should all be thankful. In between being the lead guitarist for punk legends Down By Law and leader of young upstarts Pseudo Heroes-he’s found time to put out this dark, disturbing, slab of underground rock. Just what the doctor ordered to get you through these cold winter months. The disc begins with “Skintro” a scary instrumental that will make you run up into your attic and hide from the demons in your head. “Dead Legacy” is a moody song told from the point of view of a young skater who killed his girlfriend-‘the future’s doomed/and coming soon/I’m gonna see it through/my inside tune/is dark and blue/ you’re gonna sing it too.” “The World Is Dreaming” sounds like a Pseudo Heroes song once the killer guitar riffs overtake the proceedings. I was a little scared to listen to the next song-is this a Chris DeBurgh cover? Thank God no-“Ferryman” is memorable song that features Chris Barrows from The Pink Lincolns on backing vocals as Williams chants-“fire fire fire”. Arthur Brown would be proud. But the highlight for me is “Rotting Maggots Of Death” which features Peter Cortner (ex-Dag Nasty, The Gerunds) on lead vocals. “You saw right through me/ then replaced the mask/the money’s gone/so time to go.” This song sounds like vintage Big Black. When Jeff Pezatti and Steve Albini collaborated and made cool music together-this is the same end result. So grab Electro-Requiem soon- it’s a limited run and it features a face on the cover that only a mother could love. To go to this artist's web site click here
Review by Review by Sean Koepenick
Vernon Reid & Masque,"Known Unknown" (Favored Nations Entertainment) Second solo release from this guitar wizard, Reid takes time out from the recent Living Colour reformation to give us this intriguing solo record. No vocals-just good playing and interesting arrangements throughout. The title track starts off the record and hits so many different genres it’s difficult to keep your head above water-but don’t worry-the shore is in sight. “The Slouch” offers up some tight dive bomb action that shows that Reid was doing this while Tom Morello was still eating Cheerios. “Brilliant Corners” is a Thelonious Monk cover while most of the remaining are Reid originals. “Sidewinder” is one of Reid’s expert takes on jazz-with some cool organ fills that play off Reid’s soloing on the track. (You were worried there was no soloing?-c’mon-this is a Vernon Reid record!) Other highlights of this disc include “Voodoo Pimp Stoll” and “Flatbush and Church” where the band really comes together and takes the listener into another musical realm. “Known Unknown” is instrumental music that will not bore you- no matter how many times you spin this one it will never sound like Medeski, Widespread, or Phish. That’s something to be thankful for. To go to this artist's web site click here
Review by Review by Sean Koepenick
The Good North,"Life Outside Our Walls-EP" (Primary Voltage Records) Third release from this Boston band-and this should be the one to push them over the top. Think The Smiths crossed with The Replacements and you start to get an idea-but The Good North takes these influences and throws them in the blender and chugs it down in one gulp. “Always Works Out Wrong” shimmers beneath a driving beat with vocals from Luke O’Neil that Thom Yorke would smile over. “The Weight Around Your Neck” features the controlled interplay between guitarists Leo Crowley and Alex Jorge as O’Neil pleads-“we’ll bury our old for the second time/ in as many tries/we settled for the same old lie.” “The Art Of Translation” grooves along at a fever pitch courtesy of bassist’s Dave Riley and drummer Mike Morrissey’s insistent rhythms. “Life…” ends with “My Heart Is Over Trying To Play Dead” a great song and a perfect way to end this EP. The Good North will make even the most warm blooded music fan venture out into the dark to learn more about this up and coming band-and you should too. To go to this artist's web site click here
Review by Review by Sean Koepenick
The Grannies,"Taste The Walker" (Dead Teenager) The Grannies are taking punk places it ain’t never been before and may never go again. Four punk rock guys (five if you count their roadie / vocals guy), dressed like your granny, out kicking ass and taking names with their very own brand of rock n’ roll. The music is somewhat close to the Supersuckers with a splash of Motorhead thrown in to keep your ears ringing. I really love this shit, it’s funny, it’s catchy and it rocks like nobodies business. My personal favorites are “Crime Pays”, the funky “Mental Ass Print”, “Pink Boots”, “Rolling Blackouts” and the Clash invoking “Aspenglow”. To go to this artist's web site click here
Review by Review by J.R. Oliver
The Grannies,"Erected Lady Man" (Wondertaker) This is the Grannies latest offering. Twelve thought provoking, inspirational ditties like “Chain Wallet”, “Homo Moment”, “Crap My Dress” and “Crank The Suck”. Needless to say, listening to this probably won’t make you a better person but at least it’ll put a smile on your face. Well, now that I think about it, if it puts a smile on your face then it probably has made you a better person. So, listen to the Grannies and become a better person. Hey, that could be their new slogan. “Listen to your Grannies and become a better person.” If you guys use that one don’t forget to give me credit. Oh yeah, you also get a cover of “Teenage Kicks” here as well. R.I.P. John Peel. To go to this artist's web site click here
Review by Review by J.R. Oliver
Tommy Stinson,"Village Gorilla Head" (Sanctuary Records) After two band projects following the demise of The Replacements (Bash & Pop, Perfect), Tommy goes it alone on this-his first solo release. But don’t feel bad for him- it looks like he got some help from his friends. Among the players on Head are: Richard Fortus (Guns ‘n’ Roses), Gersh (Perfect, Clumsy), Josh Freese (The Vandals, A Perfect Circle), Dave Philips (The Catholics) and Dizzy Reed (Guns ‘n’ Roses). But Tommy wrote and played on everything on this platter. “Not A Moment Too Soon” sports some cool massed back-up vocals on the chorus that gives the tune a melodic vibe while “Couldn’t Wait” is a blasting cap type rocker. “Bite Your Tongue” has a laid back groove as Stinson sings-“you dyed your hair/you read Bukowski now and live by every word.” The title track offers up some interesting sounds that hardcore fans may not dig-but at least Stinson is pushing the envelope here to see what holds. I was also very relieved that “Light Of Day” is not a cover of the Bruce Springsteen throwaway but an acoustic song that echoes his Bash & Pop classic- “First Steps”. Head wraps up with “Someday” a wistful song as Stinson sings- “The bastard’s wearing the dresses now/he bitches no one calls him by his name/my baby she’s got the blues/another rapist grows into his running shoes.” Village Gorilla Head doesn’t stick to one style-sometimes not even in the same song. But for those of us who can dig deep and play this a few times, the rewards are pretty damn special. So break out of your rut, watch out for the strewn banana peels and give it a try. To go to this artist's web site click here
Review by Review by Sean Koepenick
George Elliot,"Smileofffacewipingtime" (Heliocentric) George Elliot is one busy fellow. You won’t find any moss growing on this guy. I think this is about the fourth release I’ve reviewed in less than two years. This one came with a note that read “This is a special case (release), probably not for sale, evident when you hear the collection.” I’m not sure if this will be available to the general public, I’m not even sure if it should be available to the general public. I mean this is even farther out there than his earlier releases and they were in the Frank Zappa category of strangeness. Yet another interesting offering from an interesting guy. To go to this artist's web site click here
Review by Review by J.R. Oliver
Cantinero,"Championship Boxing" (Artemis) A little McCartneyesque, a little Costelloish, a little Burt Bacharach-y-ish-esque, oh hell, you get the idea. Nice acoustic ballads with soaring harmonies and melancholy lyrics. The musical brainchild of New York based Brit Chris Hicken, singer / producer / songwriter raised in Birmingham, England. File between Oasis and Coldplay. To go to this artist's web site click here
Review by Review by J.R. Oliver
David Francis,"Fake Valentine" (Indie Release) At first blush, David Francis’ most recent offering, Fake Valentine appears to be a grim, daunting work to wrap your arms around. On the sleeve, a pensive Francis stares up at us in almost gothic repose, amidst a garden setting. “What is this creature?” a first-time listener might be compelled to ask, feeling a little intimidated. And to answer, it is a direct work, while also a study in contrasts, which David Francis offers up with smooth élan. Much has been made of Francis’s vocal similarities to one Sir Paul McCartney, which is fair enough and it is quite a draw for this listener. But oh my, unlike McCartney, Francis has set out to challenge himself and the listener with the opening track, “Fake Valentine” – are we willing to accept a paradoxical theme? Can we take another ballad about a broken-hearted lover? With Francis at the helm, the answer is resoundingly affirmative. There’s a very personal feel to this disc – while string work might be a bold adornment, the acoustic guitar work by Francis is the deep glue that holds everything together. In other words, if one were to strip away any of the embellishments, the trueness of the songs would still remain perfectly cohesive; that’s the sign of a true musician. Francis is not afraid of playing the field stylistically. An eerie Peruvian-sounding woodwind opening graces the song “Life Smiled”, which gives way to a jaunty, piano-driven trip replete with harmonies that melt. And I must add that if there ever was a singer who deserved (and whom we needed) to be on FM radio, it’s Francis because melody is absolutely king. From the subtle bite of “Vilma’s Lighter”, where a simple electric guitar generates a guiding nerve of bitterness complimenting Francis’ plaintive voice (which becomes increasingly distressed at turns), to the valedictory, thumping last-hurrah of the closing track “Far” (which defies expectations), Fake Valentine proves itself to be the work of a skilled artist. Where in lesser hands, the exercise of writing 11 variations on a theme might have turned into an artless bile-fest, David Francis goes about the work with a whole range of emotions – which is really a better representation of the human spirit. I know nothing of David Francis’s personal life, but if this album represents the fruits of a relationship gone wrong, then there is something to be said for adversity yielding great art. Nonetheless, given Francis’s overwhelming vocal and instrumental talents, I would love to see how he handles a more sunshine-y project! To go to this artist's page at CD Baby click here
Review by John Lane
Collective Soul,"Youth" (El Music Group) Georgia rockers Collective Soul are back with “Youth”, their first studio album since 2000’s “Blender”. Taking the D.I.Y. road and releasing their latest on their own El Music Group, they plan on touring their collective asses off in support of the album. That’s pretty impressive for a band that had 19 different singles on the Billboard charts over a seven year span. I mean, that’s when a lot of band’s would have said adios amigos and took the money and run. But these guys believe in their latest offering enough to put their money where there mouth is. Standout tracks are “Home”, “Perfect To Stay” and “Under Heaven’s Skies”. To go to this artist's web site click here
Review by Review by J.R. Oliver
Various Artists,"X-mas Snertz, Have A Very Gulcher Christmas!" (Gulcher Records) A very Gulcher Christmas indeed! I couldn’t wait to hear this one. Any label that would release the Screamin’ Mee-Mees has to be a bit twisted. I should know, I released the Screamin’ Mee-Mees on my label! Sadly, there was no Mee-Mees to be found on this compilation but don’t fret because there’s loads of bands just as odd. Take Mach Bell & His Elves for instance, Bell sounds like a hopped up, thirteen year old, white, James Brown wannabe. A complete about face from his Thundertrain releases. Then there’s Kenne Highland & His Vatican Sex Kittens with the very naughty “Can I Please Crawl Down Your Chimney?”, the Korps with the Ramones flavored “The Blizzard Of ‘78”, MX-80 with a very scary “I Spent Christmas With The Devil” and the oddest of them all Pansy Division with “Homo Christmas”. If your looking for something a little different this holiday season then have I got the disc for you. To go to the Gulcher Records web site click here
Review by Review by J.R. Oliver
Mare Edstrom,"Inside the Blues" (Spiritone) Using an authentic-sounding, red-hot backing band, Mare performs a mixture of songs by classic blues artists [Muddy Waters, Robert Johnson, T-Bone Walker] and originals by producer Kenn Fox. You've gotta be really sure of yourself to release a collection of classic blues songs and Mare rises to the challenge, delivering an above-average performance that is both faithful to the blues and gives real passion that the blues deserves. To go to the Spiritone web site click here
Review by Scott H. Platt
Ani Minasian,"Ani Minasian" (Indie Release) Too bad there are only 3 tracks on this CD, because Ani Minasian has a great, powerful voice. Unfortunately, the songs are the weakest link and Ani comes off like a Meredith Brooks wannabee. While I'm sure there is a market for the tough-female persona, ala Brooks "I ain't gonna take your shit", Ani needs to develop her own style instead of jumping on the bandwagon. To go to this artist's web site click here
Review by Scott H. Platt
Lyza Wilson,"Lyza Wilson" (12:12 Records) Lyza is another artiste that has jumped on the Meredith Brooks bandwagon. However, she goes a step further, trying to be Beyonce on some tracks - and the end result is totally generic sounding music. To go to this artist's web site click here
Review by Scott H. Platt
Peter Murphy," Unshattered " (Viastar Records) It’s been a long dark road for Peter Murphy, but it seems as though he’s finally seen the light. In his 25-year career he has battled with fellow musicians, the critics, God, and himself. He has experienced the dizzying heights of success, the depths of failure, and the most unexpected of surprises. Throughout that time, he has also managed to accomplish what most people thought to be virtually impossible- bury his former ‘Godfather of Goth’ persona in its musical coffin once and for all. The ex-Bauhaus front man has enjoyed success as a solo artist since the mid-80’s, largely in part because he created music on his own terms as opposed to the sound and image that the public had grown accustomed to. In recent years, Murphy has completely distanced himself from the dark days of yore by offering up efforts that dabble in genres that would never be caught dead on any album by his previous band. His 7th studio release Unshattered, with its folk-pop tinge taking precedence, is certainly no exception. In fact, Unshattered may be Murphy’s most mainstream sounding album to date, perhaps even surpassing the conventional pop sensibility of his 1990 smash Deep, which established Murphy as a credible and powerful singer/songwriter among a skeptical public who believed his chance at fame had died along with the evaporation of Bauhaus. But like the mythical phoenix, Peter Murphy once again rises from the ashes to prove that he is not about to go gentle into that good night. On this album, Murphy has enlisted the assistance of some blasts from the past. He continues his everlasting collaboration with Jane’s Addiction drummer Stephen Perkins, who cited Murphy (as well as Bauhaus) as an influence while fine-tuning his chops in Jane’s early days. Perkins took part in Murphy’s tour line-up in 2000 and on this disc, their musical partnership has never been tighter. Elements of Jane’s tribal-yet-raucous sound can be heard on the opening track ‘Idle Flow.’ Also returning are guitarist du jour Peter DiStefano (Talk about a small world…DiStefano once shared the limelight with Perkins in the post-Jane’s Addiction side outfit Porno For Pyros) - whose electrifying chords contrast wonderfully with new recruit Tim Pierce’s heavenly Echo And The Bunnymen-esque strumming on tracks like ‘Face The Moon,’ ‘Emergency Unit,’ and ‘Give What He’s Got’, and veteran programmer/dance producer Paul Statham- who last joined forces with Murphy on his 1995 release, the ultra ambient Cascade. But to say that Peter has totally abandoned the shadows of the past isn’t entirely accurate. After the monstrous success of Bauhaus’ aptly titled Resurrection tour in 1998, the spark of his friendship with ex-drummer Kevin Haskins was re-ignited. Haskins offers his services on ‘Blinded Like Saul,’ a track that could easily pass as a subdued version of the Bauhaus classic ‘Double Dare’ with its distorted guitar and slow but pounding beat. As for Murphy’s signature New-Wave croon and complex lyrics, those are still very much in tact, especially on the final track ‘Breaking No One’s Heaven’, which marries Murphy’s playfully ethereal early period a la Love Hysteria with the magical mystery of the latter period a la Dust. Some would refer to Unshattered as another departure, albeit an extremely dramatic one, for Peter Murphy. True, it’s not commonplace to find the one-time ‘Godfather Of Goth’ toying with harmonicas and accordions. But it is by no means a departure. It is simply another step in the musical journey of one of Alternative music’s most captivating pioneers. Though the times and the sound may have changed, Peter Murphy will always remain faithful to his initial reason for entering the music industry- to change the way we view convention. Has he achieved his goal? The answer is clear. To go to this artist's web site click here
Review by Heather Sterman
Thundertrain,"Hell Tonite!" (Gulcher Records) Recorded live at the Summit Club, Peabody, MA on February 1, 1979. Back when bands like Aerosmith, Cheap Trick, AC/DC, Kiss, Van Halen and Alice Cooper ruled the roost Thundertrain was rocking away here in the States. I can hear a little of every band I mentioned in this band. Weather it be originals like “Hell Tonite”, “Love The Way”, “Afterschool”, “Readin’ Riotin’ Rock N’ Roll” or covers like “Dirty Water” and “Mama Weer All Crazee Now” this band tears through them like it might be the last time they get to play. They have all the key ingredients that the other bands have only Thundertrain didn’t become as famous for some reason. Guess that’s the way it goes. The guys have reunited and are out on the road up to their hijinx again. As Mach would say, “Rock n’ roll people are the chosen people and we refuse to go away!” All I can say is amen brother. To go to this artist's web site click here
Review by Review by J.R. Oliver
Red Glance,"Swirls Away" (Gulcher Records) “Swirls Away” consists of eighteen tracks recorded in the summer and fall of 1982. Kind of artsy sounding in a Talking Heads way only rawer and more morose in a Cure and Echo And The Bunnymen way. I also hear a little Tom Verlaine / Television waver in the vocals. Man, there must have been at least two or three bands like this in every college town in America around 1982. To go to the Gulcher Records web site click here
Review by Review by J.R. Oliver
Various Artists,"Meet Me In The Time Tunnel, Obscure Powerpop From The Land Of The Lost 1978-1985" (Wizzard In Vinyl) This kind of stuff is always fun for me. I’m pretty much a sucker for powerpop from the seventies and early eighties. There’s some killer tracks here by The Reducers, Butch Minds The Baby, Strattford Survivors, The Zipps, The Matcheads The Reactors, The Headaches, The Silencers, The Foreign Objects, The Dunderheads, The Triffids, T.V. Neats, Dennis Most, The Spliffs and The Shamrock. My favorite tracks are “Small Talk”, “Black Plastic Shoes”, “Teenage Sex”, “You Go Home” and “Plan Nine”. If powerpop is what your into then you’ll get into this. To go to the Wizzard In Vinyl web site click here
Review by Review by J.R. Oliver
Shane Scott,"Gingerbread House" (Play Room Records) Shane Scott has the goods - sweet saccharine voice plus those "American Idol" good looks. Maybe that's the problem. While Shane is talented, the sounds on this CD are total teenage-girl-loving pop, kind of a mix between Clay Aiken and Hanson. So buy this CD - but only to give to your teenage niece. To go to this artist's web site click here
Review by Scott H. Platt
Michael Maassimo,"Massimo" (Skytide) Boring, generic melodic rock that makes you wanna burn down your local "Gen-X" radio station for ever inspiring such forgettable rock. To go to this artist's web site click here
Review by Scott H. Platt
Jujitsu,"Jujitsu" (Indie Release) From the growling voice and the metal-esque guitar crunch Ju Jitsu follows the tradition of Limp Bizkit, Korn, Helmet, Tool and other such 'hard/angst' bands. However, with the only 3 songs represented on this disc, it is impossible to tell if Ju Jitsu will be the next 'big thing' among these contenders. But I do think they have a chance. To go to this artist's web site click here
Review by Scott H. Platt
Strychnine,"Born In A Bar" (TKO Records) Old school hardcore from the self-proclaimed hardest working label in punk. I thought this was a pretty brash statement until I saw their roster. They are the hardest working label in punk, no doubt about it. Strychnine is served straight up with no chaser, just like I like it. This takes me back to my high school record collection of the Circle Jerks, The Dickies, Black Flag, Fear and even The Dead Kennedys. This is punk that doesn’t sound pop, you can understand what they’re saying and it’s as addictive as all get out. “Born In A Bar” is a breath of fresh air in a festering cesspool of cookie cutter screamcore releases. More please. To go to the TKO Records web site click here
Review by Review by J.R. Oliver
Various Artists,"Sacramento Scene Report" (TKO Records) TKO gives us five bands, two songs each on this sampler platter. First off are the Whiskey Rebels with “Yolo Bus Blues” and “America”. They sound like a rev’ed up Clash but with a little extra distortion, both songs are extremely catchy. Next up is Pressure Point with “Give Me Liberty” and “Never Forget”. They’re just as catchy and politically minded and they have a pirate singing lead. Well, he kinda sounds like a pirate anyway. Then there’s Killing The Dream with “Picking Up The Pieces” and “We Speak In Clocks”. This is more on the screamcore side of hardcore. The Secreations rock n’ roll things up a bit with “All My Rowdy Friends” and “Long Lonely Road”. I’m sure the Hank cover was a joke but it works like a charm here. Last but not least we have the Roustabouts with “Stick To Your Guns” and “Freedom”, two fast and furious stomps through the annals of old school punk. This whole cd works for me. Again, more please. To go to the TKO Records web site click here
Review by Review by J.R. Oliver
John Amen,"All I'll Never Need" (Cool Midget Records) John Amen does a great take on the alt-country style, ala Uncle Tupelo. John's voice is definitely a plus, having that sometimes raspy [but not annoying in a Dylan sense] tone that really draws you into the songs. However, the production on some of the tracks adds a little to much echo to some tracks - and in one case [the song "Waiting for Mary"] almost ruins what sounds like a great song. The combination of first-rate arrangements, good songs and John's voice make him a welcome addition to the alt-country genre. To go to this artist's web site click here
Review by Scott H. Platt
Phyliss Addison,"Seven Gifts" (Indie Release) Indian wisdom mixed with trance dance grooves? It sounds intriguing in theory. But then infuse rock, reggae, R&B and jazz into the mix and have 3 or the 9 tracks comprised of only Indian chants. What do you end up with - A totally uninteresting, sometimes annoying collection of disjointed sounds. The only saving grace is the last track, "Seven Gifts", which is a hypnotic mix that actually achieves the desired mix of music and Indian wisdom. Too bad the whole CD isn't as good as this track. To go to this artist's web site click here
Review by Scott H. Platt
Die Warzau,"Convenience" (Pulseback) Is it possible for an industrial band to progress? It looks like Die Warzau has done that with their first album in 8 years. For a band that considers itself "anti pop", their newest release "Convenience" is surprisingly catchy and infectious with the band branching out of the norm when it comes to the industrial style. Industrial is not dead - its just evolved. To go to the Pulseback web site click here
Review by Scott H. Platt
Lejeune,"Lejeune" (Indie Release) Soulful pop with an indie twist. The music reminds me of Dire Straits at times and R.E.M. at other times. Extremely well written pop songs that at times have a Dave Faulkner feel of delivery. They seem to be a bit more highbrow lyrically speaking than the Gurus. More on the same plane as Chris Issak. Yeah, that’s whom I would compare this too. This is for fans of Chris Issak, R.E.M. and the Dire Straits with a little taste of the Hoodoo Gurus thrown in for good measure. To go to this artist's web site click here
Review by Review by J.R. Oliver
Brookfield,"…Maybe This Time" (Brookfield Records) Identical twins Matt and Adam Bilz, along with bassist Justin Steuer and singer Mikey J make rock n’ roll that lands in the same neighborhood as 311 and Sublime. You can also hear a little of Green Day, Blink 182 and Boxcar Racer type influences in the mix as well. Lots of spunk squeezed into these tracks. Check out “She Does” and “Real Deal”, two great songs that show the versatility of this band’s debut. To go to this artist's web site click here
Review by Review by J.R. Oliver
Townhall,"American Dreams" (Indie Release) Townhall is like a musical buffet. You get a taste of rock, a little reggae, a smidgen of blues, a thick slice of jazz, a side of funk, some folk and a dash of Latin flavor. This is very similar sounding to Steely Dan and Paul Simon with some Beatles and Bob Marley flashes. There’s a few songs that even sound a bit like The Band like “If You Want It” and “Sway And Bend”. Fifteen songs means you’ll get your moneys worth from this Philly band. To go to this artist's web site click here
Review by Review by J.R. Oliver
Qwas,"The Oneiric" (Hog River Music) Calling themselves "surrealist-ambient rock", Qwas is definitely an acquired taste. This CD is a concept album of "dream songs" that describe the journey through sleep. Pretty ambitious stuff, but they pull off the concept in their own unique style. Sometimes dreamy & mellow, sometimes rock and sometimes just plain bizarre - Qwas uses sounds to "paint" their story on their own experimental canvas. Qwas is the Pink Floyd of ambient art rock - If you want to hear something out of the norm, check this band out. To go to this artist's web site click here
Review by Scott H. Platt
Citizen Cope,"The Clarence Greenwood Recordings" (RCA) It's been awhile since I've heard anything new that really grabs my attention, but Citizen Cope is a true original in a sea of mediocrity. Citizen Cope delivers coffee-house funk infused with hip-hop/reggae tones and a tinge of gospel blues. While the eclectic styles on this CD are full of surprises it never confuses or disappoints. Definitely keep an eye on these guys! To go to this artist's web site click here
Review by Scott H. Platt
Slang,"Blue" (Indie Release) This is the best cd by a Bulgarian band I’ve received all month. All kidding aside, these guys can do songs in English better than most American bands can. “Blue” has already climbed to the top of the charts in their native country and now they have their sites on the States. This is a bit like the American radio pop of say, Sting, U2 or even a band like 3 Doors Down. Very radio friendly stuff here. To go to this artist's web site click here
Review by Review by J.R. Oliver
Matt Boroff,"Matt Boroff" (Lo End Records) How can you not love a band that has a song called “Onion Man”? This song rocks and has somewhat of a Beatles psychedelic era vibe to it. “Tightrope” rocks even harder but in the Stone Temple Pilots vein. This gets better every song and I just love the sound of real drums and a real drummer buckling down to a groove and riding it like a surfer rides a wave. “You Don’t Need It” and “Take It Down” slow things down a bit only to set you up for the next killer track which is “Later Than It’s Ever Been”. This starts off with a guitar riff that sounds like Guns N’ Roses and builds from there. Next up is “Touch”, yet another great track, followed by the hard rocking “Kontrol”. The last track, “Believe In Every Flake”, brings you back down before the whole thing rolls around again. To go to this artist's web site click here
Review by Review by J.R. Oliver
The April Skies,"The Breathe EP" (Indie Release) Classic eighties pop with jangly guitars, a tight backbeat and dreamy lyrics. Cut from the same cloth as The Smiths, Echo & The Bunnymen, Elvis Costello and especially the Cure. The April Skies have been plodding along since 1988 making the kind of music they want without ever jumping on whatever musical bandwagon is at the top of the charts at the time. A lot can be said about sticking to your guns and waiting for the public to come around. If more bands did this maybe radio wouldn’t be so stagnate right now. To go to this artist's web site click here
Review by Review by J.R. Oliver
Various Artists,"The Chattanooga Experience III" (Bog-Gob Entertainment) Twenty bands bring together this third offering of the Chattanooga Experience. About half of the bands are on the heavy side but the other half is about as diverse as one can get. Take the boogie riffing of Polecat Boogie Revival, the bluesy foot stomping of the Black Diamond Heavies, the seventies styling of Madfish Willy, the new wave feel of Mister Grits, the hyperactive thrashing of The Locals, the indescribable Cyndi Lauper cover by Ruidocentro, the redneck rowdiness of the Rounders and the funky murder jazz of the Sha-Pels. When it’s all said and done there’s bound to be something on here for just about every musical taste and if you like things on the heavy side you’ll get your share and more. To go to the Bog-Gob Entertainment web site click here
Review by Review by J.R. Oliver
Voodoo Glow Skulls,"Adiccion, Tradicion, Revolucion" (Victory Records) Pissed off Latino, punk, metal, ska that’s as subtle as a Doc Martin to the head. For a band that’s been around this long you would expect them to be running out of steam but there’s no signs of that on “Adiccion, Tradicion, Revolucion”. As a matter of fact, they seem fresher than ever on tracks like “Mayhem And Murder”, “DD Don’t Like Ska”, “Eville”, “Cochino”, “Bastard Music” and the title track. They even throw in a Guns N’ Roses cover. Now tell me, how can you beat that? One more in a long line of very strong cd’s from the Voodoo Glow Skulls. To go to the Victory Records web site click here
Review by Review by J.R. Oliver
The Sha-Pels,"Nights Of Malta" (Indie Release) Words! We don’t need no stinking words! The Sha-Pels offer up another helping of funky / crime scene / jazz / rock / noise chocked full of riffs that get embedded in your psyche. A bit more polished on the recording end and not quite as primal on the material end as their earlier offerings, “Nights Of Malta” is still about as far from mainstream radio as one can get and that’s pretty cool since nobody likes that mainstream shit anyway. “Bizarre Sorceress” kicks off things with a menacing groove but it’s “Chesapeake Swinging Moderns” and “The Speed Bunnies” that really take it to the next level. A damn nice full-length debut from the award winning band. To go to this artist's web site click here
Review by Review by J.R. Oliver
|
Denotes vinyl release...
Denotes cassette release...