Dances of Gor
Imagine yourself a wonderful ballerina who is dancing in front of
kings or queens. The proud, trained beauty this one is full of
spirit and fire, the soul that knows every muscle and sinew of her
body. How it will react when standing or walking, every sense alive, every movement so toned and perfect. That is who the dancers of
gor are, aware of every subtle movement they make everything timed
to perfection of dance and spirit.
You want to learn to dance as the Goreans do the softly subtle
dancers who please their Masters by expression of dance and grace.
The sensual ease which flows through their body keeping the
expression of slave beating in the hearts of the Masters/Mistresses, making yourself be delightful and pleasing to the eye, it is one
of self expression of mind and body moving together fuelled with
emotion and spirit. It is not an easy journey, but one of great
spiritual and emotional conquest, to dance each dance with
sensuality, rhythm, and co-ordination, keeping with the genre of
each dance and what it means. Hopefully you will find this guide
some help in your conquest.
The pole dance is one of beauty and of grace done with or without the pole, one can use an imaginary pole, refer to it in the dance or simply use the regular pole which is in the sandpit of most rooms. There are the following items that should be included in your dance:
1. Your body movements mean a lot, keep yourself focused on the
way you move, each muscle trained for such a task.
2. In the pole dance usually in the beginning you feel the caress
of the whip, your body would jerk and react as if being whipped.
3. You find yourself at the mercy of the Master/Mistress doing the
whipping you would show your ability to please the person by
dancing seductively for them using your body to show your desire
to please.
4. At some point you begin to bring the dance to a climax of fast
movements the music rises, you begin to dance hard and fast using
the pole for your desire to please or your need for the Master/Mistress attention and approval.
5. You finally end the dance showing your need for attention, approval of the Masters/Mistresses, your sexual need increases, you worship the pole.
6. In the end of the dance, generally you do not use the pole, you would end at the foot of the Master/Mistress. Or in the sand away from the pole, when ending a dance it is good to know when it is done. One might stand and bow waiting for approval, or freeze in place seeking the approval of the patrons of the tavern, or refer to it in the dance. Nearing the end of her/his dance she/he pauses awe struck by the patrons interest she/he concludes the dance waiting for approval. Whatever you do, make sure they know it is the end of the dance.
Called the belt dance because the dancer doesn't stand during the
dance, and is never above the belt of the Warrior. Perhaps at the
beginning of the dance, but soon is on the floor. This dance is
done with a Warrior, may be referred to, or an actual Warrior may
be used; however this person needs to act with you if you choose
to do this dance with a Warrior, so you will have to practice with
the Warrior if you are to use an actual one. This one uses an
imaginary Warrior, as she would not begin to dream an actual
Warrior would want to learn the dance of a slave. This dance shows
the need of the dancer to have the Warrior take her and use her
sexually. The following should be used in the dance:
1. At the beginning of the dance submission is shown, usually a slave is being whipped, show your body to the mark of the whip.
2. It is important to show the next stage as being willing to submit to the Warrior.
3. The next stage shows your need to be used sexually by the Warrior, how your body needs to have him notice you, and your desire to have him sexually.
4. As in all stages of Gorean dance you will build your crescendo your body needs to be satisfied your desire great to be seen and be used.
5. In the final stage you touch the Warrior begging to be used imploring he take you and use you, at the very end the Warrior will touch you hold you and finally kiss you deeply accepting your offer.
6. Again at the end of the dance the Warrior and the slave await approval for the dance. One might stand and bow waiting for approval, or freeze in place seeking the approval of the patrons of the tavern, or refer to it in the dance. Nearing the end of her/his dance she/he pauses awe struck by the patrons interest she/he concludes the dance waiting for approval. Whatever you do, make sure they know it is the end of the dance.
Dance of Seduction
This dance shows the need of the slave to be taken and used sexually by the Master/Mistress, it is a good dance for male or female slaves. This is usually done in front of the Master/Mistress you wish to please you, not in the sand or center of the room. The following should be used in the dance:
1. This dance is usually performed nude, may be either at the start, or your silks taken off in the beginning of your dance, your choice.
2. You are showing your need of being used sexually, it is important to start with showing your desire to please, preen yourself, make yourself desirable.
3. The next stage is to show your willingness to flaunt your body to the Master/Mistress touch your body make them notice you and your starvation of pleasure, how lonely you are for a touch or a look of approval.
4. You want to build to this point from the previous motions, in this stage you are trying to show how much your body desires touch, you then begin to beg for a touch or a look, they will look, you will respond.
5. The next stage is the crescendo once again your music is lively you noticed them look at you, you show your desire to please, refer to your lovely sex how you will please them.
6. The final stage is one of total submission; you must show your submission by ending kissing the slipper or boot, keeping your body to the floor. You may now touch the leg to the knee only and down to the foot, you are grateful for the attention the Master/Mistress has given you, you are now ready to be used sexually, and you submit your body. You generally don't look at them at all, ending with your eyes down. Remember to end the dance by either freezing or speaking your submission: Master/Mistress this most unworthy one submits her/his body for your pleasure. The music may die down or you show in another way that the dance has ended.
In this dance you wear seven veils, they are specific colors, you may choose which they are but the sequence of taking the veils off is very specific, when done you will be nude. You may start in the sandpit, but in during the dance you will seduce everyone in the room by taking off your veils for them. Flaunting around the room for all the Masters/Mistresses, and yes it is all right to give a veil to a Mistress, they love the dance as well, and will appreciate being included. You are there to please all in the tavern you are dancing for and wish to please and honor your Master or tavern with your dance. It is also nice and a great touch to name the Master/Mistress you dance before, be seductive in your dance as you take each veil off, describe how you do it, and who you do it to. It is not necessary to take each veil off in front of someone, but at the end of the dance you should be in front of a Master offering yourself nude for their pleasure. The following should be used in the dance in this order:
1. The first veil to be taken off should be the veil holding your hair back or the veil that is around your head as a head band, it is not necessary to tie the hair back, you may use a veil as a headband instead. This veil is usually a dark color.
2. The second veil is the left thigh; this veil is usually a red color.
3. The third veil is taken off the right thigh; it is usually a medium color such as a green or light green.
4. The fourth veil is off your front it is generally a lighter blue color, and that shows you have a veil underneath it hiding your sex yet.
5. The fifth veil is taken off your face showing your beautiful features that were hidden under it, and shows the veil that covers your breasts when taken off. This is a generally dark color as well.
6. The sixth veil is covering your breasts tightly as you move around and take it off, you are bare showing your naked breasts, it is usually a veil of lighter color wrapped around.
7. The last veil is obviously covering your sex, when taking the dark veil off, you should be on your knees your hips thrusting upwards unwrapping the small skirt and then naked. One might stand and bow waiting for approval, or freeze in place seeking the approval of the patrons of the tavern, or refer to it in the dance. Nearing the end of her/his dance she/he pauses awe struck by the patrons interest she/he concludes the dance waiting for approval. Whatever you do, make sure they know it is the end of the dance.
1. The first stage you are dancing showing you are on the hunt for prey, you search around looking for you catch. You are a proud Panther girl.
2. The second stage is that you have heard some noise, cries from the distance of others, you go and see what's up.
3. The next stage you are aware someone is after you, they are stalking you as you would your prey.
4. The next stage you are frightened hearing a slaver coming closer to you, yet excited you will not be captured, you will fight with your spear.
5. You hear them all around you trying to trap you, you try to escape but can't they have surrounded you, you will fight.
6. You are being taken roughly by a slaver, he strips you, shackles you, and you are now in his power, a slave.
7. The slaver is examining you roughly, you fight your bindings, and he gets rough with you slapping you or whipping you into his submission.
8. You give in and submit offering your submission to him in the way a slave; he may take you sexually if you wish to include that.
9. He accepts your submission to him and takes you from your home you are saddened; weeping knowing you are now slave to those you would have ruled.
8. In the end of the dance you go with him naked to an unknown world to you, a slave which is naked, he ko-lars you, keeping you bound, leashing you to a chain with the other slaves captured you are being taken away from your home. One might stand and bow waiting for approval, or freeze in place seeking the approval of the patrons of the tavern, or refer to it in the dance. Nearing the end of her/his dance she/he pauses awe struck by the patrons interest she/he concludes the dance waiting for approval. Whatever you do, make sure they know it is the end of the dance.
This is one of the most powerful dances of Gor, it is especially hard to do, all of the changes in movement with regard to the music is difficult to get down. It is done normally in the nude showing the female at her most vulnerable. It shows the slave's need for her Master, the neglected slave to call her attention to her Master. The following steps should be included in the dance:
1. This is performed for an entire audience, but not in the sandpit, more on the floor before some of the tables, you are nude.
2. Start out by dancing close to some of the Masters, perhaps using a table or the furs to show you off first.
3. You are in a cage, taken away from men, you can't get out, feel lonely and detached, frustrated for being away from your Master.
4. While in the cage you seem to see someone to come and take you away, you look with your eyes to say I? But then no one is there you must show that clearly in the dance.
5. You begin to fantasize about your Master, don special silks and jewellery for him, then crosses her wrists as being led from the cage, but once to the bars, of course she is still in the cage you must show that part clearly. Knowing that you are still in the cage, you fall to the center of the floor and weep.
6. Suddenly you do hear a sound, the music changes, you see men coming for you, at first you don't care, showing indifference, then suddenly pleading to be considered, as the door opens you kneel in nadu.
7. She considers her jailers, then she is hit with a whip a couple of times, she kneels again, she is very happy to be taken to Master to dance, your eyes should show your excitement. Holding her arms out wrists crossed you are being taken out of the cell, you hands cruelly placed behind you and bound, a man takes your hair pulling you down you walk bent over in a wide circle.
8. You are thrown down on your knees, cruelly in front of Masters as a lowly slave, naked, bound, you rise, feeling your hands unbound, putting your hands in the air your wrists facing palms out as in the beginning of the dance.
9. Now are the final stages of the dance where you call upon yourself to make the Master want to notice you, the various aspects of your beauty.
10. The final stage is to be seductive to put yourself at the mercy of the Master through fear or desire, but make him notice you. One might stand and bow waiting for approval, or freeze in place seeking the approval of the patrons of the tavern, or refer to it in the dance. Nearing the end of her/his dance she/he pauses awe struck by the patrons interest she/he concludes the dance waiting for approval. Whatever you do, make sure they know it is the end of the dance.
In this dance there are 5 distinct phases, it is a common Gorean dance, many slaves choose to do this dance, it shows in stages the intense need a girl has to be raped wanted by men, desired. The following are the stages to portray in your dance:
1. The first stage you are indifferent to the Masters you dance for, you are a slave and expected as a slave to dance.
2. For she has not yet been raped, her distress and uneasiness, her restlessness, her disturbance by her sexual urges, must become subtly more manifest. Here it must be evident that she is beginning to feel her sexuality, and drives, profoundly, and yet is struggling against them. Toward the end of this phase it must become clear not only that she has sexual needs, and deep ones, but that she is beginning to fear that she may not be, simply as she is, of sufficient interest to men to obtain their satisfaction. Here, need, coupled with anxiety and self-doubt, for she has not yet been seized by strong men, must become clear.
3. In the third phase of the dance she, in an almost ladylike fashion, acknowledges herself defeated in her attempt to conceal her sexuality; she then, again in an almost ladylike fashion, delicately but clearly, with restraint but unmistakably, acknowledges, and publicly, before masters, that she has sexual needs. Then, with smiles, and gestures, displaying herself, she makes manifest her readiness for the service of men, her willingness, and her receptivity. She invited them, so to speak to have her. But you have not been taken yet, you begin to doubt yourself slightly as no one has grabbed you yet
4. In this phase of the dance, then, shamelessly the woman dances her need and, shamelessly, begs for her sexual satisfaction. The phase of the dance is sometimes known as the Heat of the Collared She-Sleen.
5. In this phase the girl, overcome by sexual desire and terrified that she may not be found sufficiently pleasing, clearly manifests, and utterly, that she is a slave female. In this portion of the dance the girl is seldom on her feet. Rather, sitting, rolling, and changing position, on her side, her back, her belly, half kneeling, half sitting, kneeling, crawling, reaching out, bending backwards, lying down, twisting with passion, gesturing to her body, presenting it to masters for their inspection and interest, whimpering, moaning, crying out, brazenly presenting herself as a slave, pleading for her rape, she writhes, a piteous, begging, vulnerable, ready slave, a woman fit for and begging for the touch of a master, a woman begging to become, at the least touch of her master, a totally submitted slave. . One might stand and bow waiting for approval, or freeze in place seeking the approval of the patrons of the tavern, or refer to it in the dance. Nearing the end of her/his dance she/he pauses awe struck by the patrons interest she/he concludes the dance waiting for approval. Whatever you do, make sure they know it is the end of the dance.
Commonly on irc you will see the whip dance performed when a slave takes the whip into her hands and does a dance with it. However, in the books it is not done this way, since it is death to touch a weapon, one must consider this before doing this dance. It is performed when a man holds the whip, and cracks the whip; the slave is there to do a dance that is all. A male or female slave can perform this, as it is common for either to be whipped. The whip dance shows the following steps:
1. At first you are being indifferent to dance, you dance, but glare at the Masters who made you dance.
2. The whip cracks you are hit, you show the pain and start to dance with more rhythm; more effort put into your dance. The whip cracks again, you feel the pain searing through your body, you dance as your life depends on it.
3. The whip cracks again your body torn and sore you dance with more seduction, more fevered dance, it is your ability to dance for him, to him
4. You may or may not to be tied to the pole, or use it in your dance, the dance doesn't require it at all, but it is a nice touch.
5. As you dance the Master who yields the whip will crack it again, not touching your body, but making you dance faster, the music rises to a frenzied pitch.
6. At the end of the dance is it usual for the Master holding the whip to send you out to the crowd, so that you dance table to table (if you want to include that), but at the end you are successful in making the Master approve of your dance. One might stand and bow waiting for approval, or freeze in place seeking the approval of the patrons of the tavern, or refer to it in the dance. Nearing the end of her/his dance she/he pauses awe struck by the patrons interest she/he concludes the dance waiting for approval. Whatever you do, make sure they know it is the end of the dance.
